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Topics: Anthropology, Victorian era, Humanities Pages: 31 (11096 words) Published: September 25, 2013


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Society has always valued beauty. In literature, ­attractiveness often symbolizes an admirable protagonist, while ugliness indicates the abominable antagonist. As children we are taught, without even realizing it, to prize beauty. People of every race and culture have gone to extremes in the name of beauty – from foot-binding in China, to dangerously constricting corsets in Victorian

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Society has always valued beauty. In literature, ­attractiveness often symbolizes an admirable protagonist, while ugliness indicates the abominable antagonist. As children we are taught, without even realizing it, to prize beauty. People of every race and culture have gone to extremes in the name of beauty – from foot-binding in China, to dangerously constricting corsets in Victorian

Society has always valued beauty. In literature, ­attractiveness often symbolizes an admirable protagonist, while ugliness indicates the abominable antagonist. As children we are taught, without even realizing it, to prize beauty. People of every race and culture have gone to extremes in the name of beauty – from foot-binding in China, to dangerously constricting corsets in Victorian Society has always valued beauty. In literature, ­attractiveness often symbolizes an admirable protagonist, while ugliness indicates the abominable antagonist. As children we are taught, without even realizing it, to prize beauty. People of every race and culture have gone to extremes in the name of beauty – from foot-binding in China, to dangerously constricting corsets in Victorian Society has always valued beauty. In literature, ­attractiveness often symbolizes an admirable protagonist, while ugliness indicates the abominable antagonist. As children we are taught, without even realizing it, to prize beauty. People of every race and culture have gone to extremes in the name of beauty – from foot-binding in China, to dangerously constricting corsets in Victorian Society has always valued beauty. In literature, ­attractiveness often symbolizes an admirable protagonist, while ugliness indicates the abominable antagonist. As children we are taught, without even realizing it, to prize beauty. People of every race and culture have gone to extremes in the name of beauty – from foot-binding in China, to dangerously constricting corsets in Victorian Society has always valued beauty. In literature, ­attractiveness often symbolizes an admirable protagonist, while ugliness indicates the abominable antagonist. As children we are taught, without even realizing it, to prize beauty. People of every race and culture have gone to extremes in the name of beauty – from foot-binding in China, to dangerously constricting corsets in Victorian V

Society has always valued beauty. In literature, ­attractiveness often symbolizes an admirable protagonist, while ugliness indicates the abominable antagonist. As children we are taught, without even realizing it, to prize beauty. People of every race and culture have gone to extremes in the name of beauty – from foot-binding in China, to dangerously constricting corsets in Victorian Society has always valued beauty. In literature, ­attractiveness often symbolizes an admirable protagonist, while ugliness indicates the abominable antagonist. As children we are taught, without even realizing it, to prize beauty. People of every race and culture have gone to extremes in the name of beauty – from foot-binding in China, to dangerously constricting corsets in Victorian Society has always valued beauty. In literature, ­attractiveness often symbolizes an admirable protagonist, while ugliness indicates the abominable antagonist. As children we are taught, without even realizing it, to prize beauty. People of every race and culture have gone to extremes in the name of beauty – from foot-binding...
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